剧情
(人评分)
主演:梁成致,雪梨,李泳豪,林以诺,颜仟汶
类型:剧情
上映:2017更新时间:2023-12-15 22:02:29
剧情:《極闘5之雙殺》故事從警員Joe（李泳豪飾）與媽媽雲姐（雪梨飾）兩人相依為命開始，雲姐每晚經常出現發噩夢與手震的情況。Joe與女友Yoyo（吳堯堯飾）上司張Sir（梁成致飾）等一起調查黑幫坐館鄭榮的案件，並且找出鄭榮身邊的黑幫成員當上污點証人。可是，一眾污點成員卻一個又一個被暗殺。但更離奇的是，那些殺手又會一個又一個被殺。張Sir與Joe這一組受到上頭的壓力需要破案，然而Joe發現自己媽給媽發噩夢的情況加劇。正當Joe憑著線人「死仔輝」跟蹤外藉殺手得到線索時，卻發現另有內情。
(人评分)
主演:彭菀媛,焦海峰,乔康慧,韩卯,刘小红,王庆宇,於悦
类型:剧情
上映:2018更新时间:2023-12-15 22:02:29
剧情:女护士燕歆诺和海峰农机职工赵一童真心相爱，谁知订婚前夕，燕歆诺的母亲周翠萍向赵家索要六十万元的彩礼。为了凑足儿子的彩礼，身患重病的孙云芳只好去超市当保洁员，赵贺春也夜以继日地干起了出租。后来赵贺春只好卖掉农村老家的宅院，却只凑够了四十万元彩礼，周翠萍拿着四十多万元开始选购住房，浑身被雨淋透的她在路边等车时，意外地遇到了冒雨跑出租的赵贺春。下车时，周翠萍不慎将装有巨款的提包遗忘在车上。周翠萍回家后发现提包不见了，打算跳楼自尽，刚好被燕歆诺救下了。在派出所里，母女俩终于见到了失而复得巨款，表示要酬谢好心人。当看到进屋后的赵贺春后，周翠萍羞得满脸通红。最后，周翠萍让女儿归还了赵家四十万元彩礼，燕歆诺和赵一童也幸福地走进婚礼的殿堂。 本片讲述的是一对相爱的恋人冲破世俗，有情人终成眷属。中国自古以来婚姻缔结，就有男方在婚姻约定初步达成时向女方赠送聘金，聘礼的习俗，这种聘金聘礼俗称“彩礼”，彩礼本应该是促成男女之间美好姻缘的“定情物”，而近些年来，天价彩礼现象愈演愈烈，引发了一系列的社会问题。影片中，女主燕歆诺温柔善良在受到母亲周翠萍的百般阻挠后，用自己的智慧和善良感动了身边所有人，男主赵一童勤奋善良在面对周翠萍提出的天价彩礼时，没有退缩，用自己真诚和善良打动了身边所有人。最终有情人终成眷属，两人登上了婚礼殿堂。 电影《花烛彩礼》由任丘市海峰农机有限公司、任丘九月文化传播有限公司出品，任丘九月文化传播有限公司制作，北京溢彩影视文化传媒有限公司独家发行。王亚春担任制片人，张子锦执导，闫立管编剧，彭菀媛、王庆宇、於悦、刘小红、韩卯，焦海峰，乔康慧联袂出演。
(人评分)
主演:瓦妮莎·布兰奇
类型:剧情
上映:2017更新时间:2023-12-15 22:02:29
剧情:凯蒂,17岁,一个可爱的姑娘。她是个癌症患者。在她住院期间遇到一个男孩托尼,这个男孩看起来苍白,紧张。凯蒂试图与托尼交朋友。 鼓励托尼忘记痛苦和加入“王国”。她给托尼幻想了一个美丽的“王国”！在她看来虽然“王国”只存在于他们的脑海里,但纯洁和美妙的想象使他们感觉不到疼痛和更多的希望。凯蒂和托尼,互相写信给对方。鼓励对方要坚强。他们幻想未来，他们分享生活的快乐和照片 ！随着时间流逝,两个年轻的病人的状况越来越不好，但是他们希望生活可以越来越好。不幸的是,癌症夺去了他们的生命。但两个灵魂,用生命的希望和爱创造一个童话天堂“沉默的王国”。
(人评分)
主演:Dan,Ariely
类型:剧情
上映:2015更新时间:2023-12-15 22:02:29
剧情:(Dis)Honesty - The Truth About Lies' is a documentary feature film that explores how and why people lie. The film is anchored in behavioral experiments that measure our propensity to lie - sometimes even unknowingly. On a more personal level, from little white lies to devastating deceits, people share on camera the true stories of lies they've told. Experts examine the reasons ...
(人评分)
主演:Bob,Dylan,Joan,Baez,Judy,Collins
类型:剧情
上映:0更新时间:2023-12-15 22:02:29
剧情:"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.